A Slight But Relevant Digression

An article in yesterday's New York Times provides one more illustration of a shift in American culture:

The Funeral: Your Last Chance to Be a Big Spender

Mr. Firnstein also says he is fielding more calls from families interested in natural burials. Adherents of the movement wrap bodies in simple shrouds or in biodegradable coffins and bury them in woodland cemeteries.

Such simple burials are traditional in many faiths, and were long the standard practice in the United States until the Civil War, when the development of modern embalming and the expansion of the train system altered the landscape of death and gave rise to the modern mortuary practice.

Read that last sentence again: "...the expansion of the train system altered the landscape..."

A generation ago, the reporter almost certainly would have written, "the expansion of the railroad network."

This is not a matter of enthusiast nit-picking; rather I submit that it is further evidence of the retreat of the railroads from their once-central position in American life. People just don't think much about railroads anymore; consequently, standardized terms of discourse that were once familiar to all have been forgotten and reporters grab for new ones on the fly.

Back to topic: my head exploded when I read this part about the trend to simpler and cheaper funerals:

“Back in the day, families might spend $10,000, $12,000 on a solid African mahogany casket, have an all-out wake and such,” (funeral director Jerry Sullivan) says. “Those days are over.”

Today, many funeral directors offer hardwood or metal rental coffins for a short period before cremation, Mr. Sullivan says. He charges roughly $1,000 to rent a hardwood casket for a daylong viewing; a body is placed in a combustible container of cardboard or soft wood, and inserted into the rental coffin lined with fabric.

A thousand bucks to rent a wooden box for one day? You could rent a house for a month for less than that around here.

Durability?

This is a wonderful marker, but I'm wondering what it's going to look like in 100 years. The marker is in the Bonaventure Cemetery, Savannah, Georgia.

Union Church Cemetery, Pleasant Hill, Mississippi

The Union Church Cemetery near Pleasant Hill, Mississippi, has a nice assortment of metal markers.

Photos were taken March 23 by Ray Mannikko. Ray estimates the obelisk below was at least 8 feet tall.

The lamb below is the first I've seen in zinc. The grave also includes a metal footstone.

Bonaventure Cemetery, Savannah, Part II: Statuary

Bonaventure Cemetery has some lovely examples of funerary art, including these statues.

A slightly damaged angel:

One of the better known monuments in the cemetery:

Two examples of bas relief:

The cemetery also has an impressive number of bronzes. I'll include a few in a future post.

Bonaventure Cemetery, Savannah, Part I: Gothics

Bonaventure Cemetery in Savannah, Georgia, is the first cemetery I've ever wandered into that was actually crawling with tourists. The ripple effect of Midnight in the Garden of Good and Evil apparently lingers on because there were a lot of people wandering around with cameras and guidebooks, all apparently focused on finding Johnny Mercer's grave while oblivious to the wonderful funerary art elsewhere in the cemetery.

I did not, however, go looking for anything mentioned in the book, and have no clue just where Mr. Mercer got planted. I just kind of wandered around, admiring the Gothic markers and other statuary. I'm not normally a big fan of Gothic, but Bonaventure has some truly nice pieces.

The bed grave above is unfortunately damaged. You can tell that at one time there was a piece of ornamentation inside the three-sided headstone, probably a cross, but it's gone now. There's also damage to the back of the marker.

The majority of the grave markers at Bonaventure, however, are in remarkably good condition. I was expecting to see a fair amount of sugaring, but maybe the wind isn't from the right direction for the acid rain from the pulp mills and other Savannah industries to hit the marble. The damage that was visible tended to be pieces broken off, e.g., angels' fingers, rather than weathering.

Bonaventure Cemetery was originally a private cemetery located on a plantation near Savannah operated under the name of Evergreen Cemetery. The City of Savannah purchased the cemetery in 1907, and changed the name to Bonaventure.

Photos were taken with a 35 mm camera on actual film.

Maple Hill Cemetery, Huntsville, Alabama

The Maple Hill Cemetery in Huntsville, Alabama, is the oldest cemetery in the city. Located on the edge of a historic district, the cemetery is listed on the National Register of Historic Places. It includes a number of notable grave markers, including these three cast zinc headstones (front above, back below).
I looked for a company name, but could not find one. The one thing that stood out was they seemed to be cast from heavier gauge metal than most of the cast zinc (aka white bronze) markers I've seen elsewhere.

The cemetery also includes more angels in various poses than I'm used to seeing, ranging from the relatively small and cherubic, as shown below, to monumental in every sense of the word.

Adult varieties come kneeling or standing, looking humbly down

or beseechingly (expectantly?) up:

I've never really understood why the kneeling on only one knee.

Maple Hill does include some elements that definitely had me wondering what people were thinking. As we were driving through the cemetery we spotted this monument with the book on a stick (interpretive plaque) standing next to it.

Knowing that Maple Hill is a National Register property, and also knowing that various Alabama notables are interred in the cemetery, a visitor's natural reaction is, oh, good, they've put up a wayside that gives more information about either the cemetery or that particular monument. The visitor is doomed to disappointment.

The marker commemorates the 1807 establishment of the Huntsville meridian, "which is the reference point for all property surveyed in North Alabama." How the marker commemorating the meridian wound up sitting in the middle of the cemetery is a mystery -- a meridian is a line, so there's no logical reason why the marker has to be in what is without a doubt the one place in Huntsville where it is likely to be seen by the smallest number of potential viewers.